![]() So, the horror genre is a beautiful kind of way to allow us to talk about a lot of very real things in a heightened way. So, she has seen this horrible fate and she really is trying to save them from it. Poppy really gives her the assurance of a way in which she can save, especially the twins, from this horrible fate that she has foreseen because she has gone ahead and she has seen that one of them is having problems with mental heath and one of them is an addict. ![]() ![]() I think that's the thing with Olivia at the end, she's so uncertain about what is real and what's not real and what is truly saving her children and what isn't.ĬG: So, for sure, the vanity that might have once been Poppy's is part of it, but I think also, this is a more subjective answer, but since I played Olivia I will answer it, which is that I think Poppy really allowed Olivia in a moment where she's so unsure of what to do and she's getting so confused by the house and by being effected so much by the house and because of her migraines and all these things, she's just much more susceptible than anyone else and she's a mother bear at heart. But then, she sees Abigail walking off with one of the house ghosts and I think that is very key then she's confused again. But, as you notice, if you watch it carefully, or perhaps again, when Olivia comes back up to the Red Room again later and is truly devastated because at that point she's in and out of being taken over by the house and trying to wake up, just trying to be there for her family.Īt that moment when she sees Abigail, she is truly devastated and I think has no recollection of what she's done. So, initially, when Abigail is going when you see her frothing at the mouth, when she's actually going to cross over, I think Olivia is dead set on the fact that on the other side, she will be at peace. ![]() Ultimately, for sure, Olivia feels that she's saving her children. CG: Again, these are all really interesting questions and nuances that we talked about a lot. ![]()
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